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Where Scream introduced "the rules" of the slasher as a means to break them, its sequels built a box that became increasingly constrained by lore and meta commentary. This pushed the film series farther away from Woodsboro — to college (Scream 2), to Los Angeles (Scream 3), to New York (Scream VI), getting to a point where Final Girl Sidney Prescott (Neve Campbell) was no longer the hero, but either a supporting character (Scream 4 and 5 — which was confusingly titled Scream) or absent altogether (Scream VI).
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(I find the anachronistic combination of hedcuts and dot matrix printer typography particularly fascinating.)